{"id":225,"date":"2026-10-10T00:50:09","date_gmt":"2026-10-09T22:50:09","guid":{"rendered":"https:\/\/larkring.net\/at-the-premises-of-artwork-list-and-floorplan-copy\/"},"modified":"2026-10-10T00:59:45","modified_gmt":"2026-10-09T22:59:45","slug":"manifests-exchange-artwork-list-and-floorplan","status":"publish","type":"post","link":"https:\/\/larkring.net\/ja\/manifests-exchange-artwork-list-and-floorplan\/","title":{"rendered":"MANIFESTS EXCHANGE Artwork List and Floorplan"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":169,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-225","post","type-post","status-publish","has-post-thumbnail","hentry","category-work"],"grid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[1,0],\"rowGutter\":1,\"frameMargin\":5,\"leftFrameMargin\":5,\"rightFrameMargin\":5,\"topFrameMargin\":80,\"mus\":{\"bottomFrameMu\":\"%\",\"colGutterMu\":\"%\",\"frameMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"px\"},\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":13},{\"relid\":25},{\"relid\":15}],\"bgColor\":\"#000000\",\"bgImage\":null,\"bgImageFit\":\"cover\",\"bgImagePositionX\":\"center\",\"bgImagePositionY\":\"center\",\"cont\":[{\"absolute_position\":false,\"align\":\"top\",\"col\":0,\"colspan\":10,\"cont\":\"<h1 class=\\\"_65Titel\\\">MANIFESTS EXCHANGE \\u2013 Artwork List and Floorplan<\/h1>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":14,\"row\":0,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"text\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"col\":1,\"colspan\":10,\"cont\":\"<div class=\\\"_Default\\\" data-slate-node=\\\"element\\\" data-block-id=\\\"7G7J7RWppj\\\"><p>1. MANIFESTS (2023)<br \/>Vinyl tarpaulin, fixture, dowel, screw<br \/>Dimension variable<\/p><p>2. Red Floor Marking Tape (2023)<br \/>Red floor marking tape <br \/>Dimension variable<\/p><p>3. ENTERPRISE Overall 2023 (2023)<br \/>2 Modified Overalls, hanger, hook, ladder <br \/>Dimension variable<\/p><p>4. Equipment Box (2023)<br \/><br \/>Branded equipment box<br \/>40 \\u00d7 80 \\u00d7 35 cm each<\/p><p>5. Working Man Sensor EX (2023)<br \/>2 Silkscreened motion sensors with sound pieces, screw, anchor, pallet<br \/>15 \\u00d7 12 \\u00d7 4 cm each<\/p><p>\\u00a0<\/p><p>The works titled Logistic Handling 10\\u201349 describe how we worked with the invited artists\\u2019 pieces as material within the exhibition. Each entry starts from an existing artwork and adds specific components. Together, the original work and these added structures form a new configuration that is attributed to ENTERPRISE. In this way, authorship is layered: the contributing artworks remain visible, while their handling, framing and logistical embedding become our own sculptural and spatial work.<\/p><p>Part I: 09.12.2023 \\u2013 23.12.2023<\/p><p>L1. Logistic Handling 10 (2023)<br \/>STARCHILD by Hayate Ito, pallet, wrapping foil<br \/>Dimension variable<\/p><p>L2. Logistic Handling 11 (2023)<br \/>Dead Stone by Hayate Ito, pallet <br \/>Dimension variable<\/p><p>L3. Logistic Handling 12 (2023)<br \/>Manufactured Obsolescence by Steve Fors, pallet, styrofoam <br \/>Dimension variable<\/p><p>L4. Logistic Handling 13 (2023)<br \/>Untitled by Karl Schmitt, cart, cardboard, protective wrap, tape <br \/>Dimension variable<\/p><p>L5. Logistic Handling 14 (2023)<br \/>Untitled by Karl Schmitt, protective wrap, tape <br \/>Dimension variable<\/p><p>L6. Logistic Handling 15 (2023)<br \/>Essence of Infinity by Leandra Agazzi, adhesive tape <br \/>Dimension variable<\/p><p>L7. Logistic Handling 16 (2023)<br \/>New Component by Otto Szabo Robotto, hook cable <br \/>Dimension variable<\/p><p>L8. Logistic Handling 17 (2023)<br \/>FANTASTIC STRESS 2 by Marianne Mueller, pallet, vinyl tarp <br \/>Dimension variable<\/p><p>L9. Logistic Handling 18 (2023)<br \/>LEG (LAUFMASCHE I) by Marianne Mueller, hook, cable<br \/>Dimension variable<\/p><p>L10. Logistic Handling 19 (2023)<br \/>MADEMOISELLE COCO by Marianne Mueller<br \/>Dimension variable<\/p><p>L11. Logistic Handling 20 (2023)<br \/>THE CROWN MELON by Marianne Mueller<br \/>Dimension variable<\/p><p>L12. Logistic Handling 21 (2023)<br \/>Japan 2000\/1A by Paulina Olowska, pallet, pin, cork board, railing, white gloves<br \/>Dimension variable<\/p><p>L13. Logistic Handling 22 (2023)<br \/>Japan 2000\/1B by Paulina Olowska adhesive tape<br \/>Dimension variable<\/p><p>L14. Logistic Handling 23 (2023)<br \/>Blue void #1 by Shuhei Fukushima, pallet<br \/>Dimension variable<\/p><p>L15. Logistic Handling 24 (2023)<br \/>Blue void #2 by Shuhei Fukushima, pallet<br \/>Dimension variable<\/p><p>L16. Logistic Handling 25 (2023)<br \/>Blue void #3 by Shuhei Fukushima,<br \/>Dimension variable<\/p><p>L17. Logistic Handling 26 (2023)<br \/>Non-sensu (\\u3068\\u3066\\u3082\\u4fbf\\u5229\\u306a\\u7dda \/ Very useful line), by Shuto Otsuki Self-Publishing, pallet, protective wrap<br \/>Dimension variable<\/p><p>L18. Logistic Handling 27 (2023)<br \/>Untitled by DOOMs from 1998, pallet<br \/>Dimension variable<\/p><p>L19. Logistic Handling 28 (2023)<br \/>Olsen Twins by Rico Scagliola &amp; Michael Meier, hook, cable <br \/>Dimension variable<\/p><p>L20. Logistic Handling 29 (2023)<br \/>Neue Menschen - Supersize Edition, published Edition Patrick Frey by Rico Scagliola &amp; Michael Meier, freight box, pallet<br \/>Dimension variable<\/p><p><br \/>Part II: 09.01.2024 \\u2013 20.01.2024<\/p><p>L1. Logistic Handling 30 (2023)<br \/>STARCHILD by Hayate Ito, pallet, wrapping foil<br \/>Dimension variable<\/p><p>L2. Logistic Handling 31 (2023)<br \/>Dead Stone by Hayate Ito, pallet<br \/>Dimension variable<\/p><p>L3. Logistic Handling 32 (2023)<br \/>Manufactured Obsolescence by Steve Fors, pallet, styrofoam, card board, paper wrap, tool box, inspection document<br \/>Dimension variable<\/p><p>L6. Logistic Handling 33 (2023)<br \/>Essence of Infinity by Leandra Agazzi, protective wrap, adhesive tape <br \/>Dimension variable<\/p><p>L4. Logistic Handling 34 (2023)<br \/>Untitled by Karl Schmitt, pallet, cardboard, PP strapping bands, protective wrap, <br \/>Dimension variable<\/p><p>L5. Logistic Handling 35 (2023)<br \/>Untitled by Karl Schmitt, pallet, cardboard, PP strapping bands, protective wrap<br \/>Dimension variable<\/p><p>L7. Logistic Handling 36 (2023)<br \/>New Component by Otto Szabo Robotto, pallet, protective wrap<br \/>Dimension variable<\/p><p>L8. Logistic Handling 37 (2023)<br \/>FANTASTIC STRESS 2 by Marianne Mueller<br \/>Dimension variable<\/p><p>L9. Logistic Handling 38 (2023)<br \/>LEG (LAUFMASCHE I) by Marianne Mueller, hook, cable<br \/>Dimension variable<\/p><p>L10. Logistic Handling 39 (2023)<br \/>MADEMOISELLE COCO by Marianne Mueller<br \/>Dimension variable<\/p><p>L11. Logistic Handling 40 (2023)<br \/>THE CROWN MELON by Marianne Mueller, pallet<br \/>Dimension variable<\/p><p>L12. Logistic Handling 41 (2023)<br \/>Japan 2000\/1B by Paulina Olowska, adhesive tape<br \/>Dimension variable<\/p><p>L13. Logistic Handling 42 (2023)<br \/>Japan 2000\/1A by Paulina Olowska, pallet, pin, cork board, railing, protective wrap, wood<br \/>Dimension variable<\/p><p>L14. Logistic Handling 43 (2023)<br \/>Blue void #1 by Shuhei Fukushima, pallet<br \/>Dimension variable<\/p><p>L15. Logistic Handling 44 (2023)<br \/>Blue void #2 by Shuhei Fukushima, palet<br \/>Dimension variable<\/p><p>L16. Logistic Handling 45 (2023)<br \/>Blue void #3 by Shuhei Fukushima,<br \/>Dimension variable<\/p><p>L17. Logistic Handling 46 (2023)<br \/>Non-sensu (\\u3068\\u3066\\u3082\\u4fbf\\u5229\\u306a\\u7dda \/ Very useful line), by Shuto Otsuki Self-Publishing, pallet, protective wrap<br \/>Dimension variable<\/p><p>L18. Logistic Handling 47 (2023)<br \/>Untitled by DOOMs from 1998, pallet<br \/>Dimension variable<\/p><p>L19. Logistic Handling 48 (2023)<br \/>Olsen Twins by Rico Scagliola &amp; Michael Meier, hook, cable <br \/>Dimension variable<\/p><p>L20. Logistic Handling 49 (2023)<br \/>Neue Menschen - Supersize Edition, published Edition Patrick Frey by Rico Scagliola &amp; Michael Meier, freight box<br \/>Dimension variable<\/p><\/div>\",\"offsetx\":0,\"offsety\":0,\"push\":1,\"relid\":24,\"row\":1,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"text\",\"yvel\":1},{\"type\":\"img\",\"cont\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt1-white.png\",\"align\":\"top\",\"row\":2,\"col\":1,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":1,\"relid\":1,\"attid\":170,\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt1-white.png\",\"_1024\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt1-white-1024x2907.png\",\"_768\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt1-white-768x2180.png\",\"_512\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt1-white-512x1453.png\",\"_265\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt1-white-265x752.png\"},\"w\":1153,\"h\":3273,\"ar\":2.838681699913269795843007159419357776641845703125,\"alt\":\"\",\"absolute_position\":false,\"textOnElement\":{\"enabled\":false,\"topLeft\":\"\",\"topCenter\":\"\",\"topRight\":\"\",\"leftCenter\":\"\",\"centerCenter\":\"\",\"rightCenter\":\"\",\"bottomLeft\":\"\",\"bottomCenter\":\"\",\"bottomRight\":\"\",\"spaceLeftRight\":10,\"spaceLeftRightMu\":\"px\",\"spaceTopBottom\":10,\"spaceTopBottomMu\":\"px\",\"enableSpacePhone\":false,\"spaceLeftRightPhone\":10,\"spaceLeftRightPhoneMu\":\"px\",\"spaceTopBottomPhone\":10,\"spaceTopBottomPhoneMu\":\"px\",\"verticalOffsetCenter\":0,\"verticalOffsetCenterMu\":\"px\",\"verticalOffsetCenterPhone\":0,\"verticalOffsetCenterPhoneMu\":\"px\",\"darkGradientAtTop\":false,\"darkGradientAtBottom\":false,\"darkGradientAtTopColor\":\"#000000\",\"darkGradientAtBottomColor\":\"#000000\",\"mixBlendModeDifference\":false},\"frameOverflow\":\"\"},{\"type\":\"img\",\"cont\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt2-white.png\",\"align\":\"top\",\"row\":2,\"col\":6,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2,\"attid\":171,\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt2-white.png\",\"_1024\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt2-white-1024x2907.png\",\"_768\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt2-white-768x2180.png\",\"_512\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt2-white-512x1453.png\",\"_265\":\"\/wp-content\/uploads\/2026\/10\/floorplan_m-e-pt2-white-265x752.png\"},\"w\":1153,\"h\":3273,\"ar\":2.838681699913269795843007159419357776641845703125,\"alt\":\"\",\"absolute_position\":false,\"frameOverflow\":\"\"}]}","phonegrid":"","_links":{"self":[{"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/posts\/225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":0,"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/posts\/225\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/media\/169"}],"wp:attachment":[{"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/media?parent=225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/categories?post=225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/larkring.net\/ja\/wp-json\/wp\/v2\/tags?post=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}